Julia Clift
Artist Statement My work overall reflects on current American culture, my own mediated perception of reality, and humankind’s fraught relationship with the natural world. My imagery stems from different regions of …
Artist Statement My work overall reflects on current American culture, my own mediated perception of reality, and humankind’s fraught relationship with the natural world. My imagery stems from different regions of …
Artist Statement In recent years, I’ve focused on ocean-centric works in which I pay tribute to the awe and wonder I feel for nature, while responding to concerns such as …
THE ESTUARY COLLECTION BY ERIN DANIELS FINDING PEACE IN THE EBB & FLOW OF LIFE A unique landscape of quiet contemplation, the subtly shifting colors, sights, and sounds of the …
World travel and love of Art History both inform Cooley’s art. Primarily a printmaker, she is also a painter, who draws on her life in Shanghai, China, where she studied …
Elizabeth Casqueiro is a visual artist who was born in England and grew up
in Portugal.
My work is fueled by a lifelong obsession with color and awe at the monstrous complexity of the natural world. For the last two decades, I have lived and painted in rural Maryland. I am in love with the weather, the crops, the light, the dirt, the weeds.
I’m playing with what can happen inside and outside variations on themes as they continue to reconfigure over time.
Inspired by design patterns – visible regularities of form – symmetries, spirals, waves, foams, cracks, circles, stripes – I search for unique forms within the natural world. After capturing these forms/patterns in photographs, I discover engaging abstract compositions that “speak” to me.
The exchange between terrain, climate, temperature and the elements is constant: sometimes consistent and often times transforming by the moment.
His landscape paintings begin en plein air with a series of drawings, watercolours and acrylics, and are completed in his studio in Exeter
Simplicity of line seeking the purity of form is the essence of my sculpture.
After earning her fine arts degree in painting, Susan Hostetler added hand papermaking as a skill with awards from the Russell Siebert and Tiffany Foundations to study with Twinrocker Handmade Paper in Indiana, where she made custom papers for artists such as Rauschenberg, Warhol and Jasper John
Heidi Fowler’s work examines man’s relationship with the environment. Her artwork combines everyday objects such as junk mail, plastic bottle caps, and old magazine pages with traditional art materials.
In people as well as plants, roots run deeply and support growth, history, tradition in the garden/world.
Like artists through the ages, I make nature-based art. How does one capture the evanescent clouds, the light through the trees or the bursting forth of new life?
Read more – https://realismtoday.com/graphite-drawing-as-a-necessity/ I found shelter in Jackson Pollack’s paintings as a teenager. Then began my regular visitations to the Vermeer’s at the Met. Now, 30 years later, I …
“Art for me is a search for the self in the fragile and interconnected space between human existence and the world that sustains us, between that which we fabricate and that which is purely organic. Ultimately, I hope that many years from now others will look at my art and decide that my generation was, after all, aware and concerned about this place we call home.”
Blake Conroy creates drawings about nature and human perception. He laser-cuts paper and metal, making marks whose appearance changes subtly as the light of day progresses from morning to evening, and then into the artificial light of nighttime.
The act of laying graphite down onto paper is personal, intimate and immediate.
There is a deep and profound magic in the light carried by the wind on the water. It insinuates itself in certain people that will respond to water no matter where they are.
The seashore is enchanting place where sounds of crashing waves fill our ears and low slanting sunlight illuminates the wind blown spray off the rolling waves.
The continuous voice in my work is a mixture of layering line, color and forms, creating patterns and texture.
A tree is an ever-changing organic being. It sends branches where leaves can find sunlight, and crotches form where branches grow to become secondary trunks.
This current work is a further exploration into the relationship between the natural world and the human psyche.
Widely recognized as a renowned contemporary realist, Greg Mort’s art is included in the Smithsonian American Art Museum, The Delaware Art Museum, the Corcoran Museum of Art, the Portland Art Museum and many more.
As the figures emerge from the material there is a representation of the feminine archetype and a sensuousness that both females and marble share.
Joe Karlik’s inspirations translate into art in many media: oils, collage, wood, found objects, photography and mixed media. His art, like nature, provides a full range of textures.